Mabel and the Talking Cat: A new one-act quirky comedy/drama

“If I had opposable thumbs like you, I should rule the land!” ~Patches, the Talking Cat

How far are we willing to go to get the things that we want? How can doing a good thing enable a bad thing? How much would you sacrifice for a loved one? How long do you hold onto a far-fetched hope? How do you connect with those in the dark once you’ve been brought into a new light? Does guilt ever go away?

For a one-act play, Mabel and the Talking Cat sure brings up a lot of questions! On top of all that, we have a bit of magic, a witch in the neighborhood, an ogre, a missing husband and a talking cat! And you won’t find out until the end of the play which well-known fairy tale this play launches into…

Mabel and the Talking Cat is the story of a lonely baker, Mabel, who finally has the opportunity to adopt a child of her own. But her best friend, Patches, a talking cat, has grave hesitations about the questionable method she’s using to secure this precious child…

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New Comedic Monologue for Unicorn-Lovers: CloudLily The Unicorn & Zoey

Did someone say UNICORN??

magical forest with a unicorn horn and ears in bottom left. In blue and pink font, Title Cloudlily The Unicorn And Zoey. Subtitle in brown, A monologue by Tara Meddaugh

Okay, so there just are not enough monologues out there for unicorns! Right?? But here’s your chance to finally play one (I know you have always wanted to). Check out my comedic monologue, CloudLily The Unicorn & Zoey, which runs about 30 seconds to 1 minute long. In it, CloudLily, a unicorn, is talking to her loyal fan, 4-year-old, Zoey. Zoey has been visiting CloudLily in the magical forest and giving her super awesome gifts. You know the kind of gifts some 4-year-olds give you, right? Like…weeds…and clumps of dirt? So CloudLily is grateful. I mean, how could she not be? Zoey is an adorable child who is the definition of “pure of heart.” But…CloudLily also knows humans have access to some pretty cool things besides just, well, dirt. Check out what CloudLily asks Zoey for in the short funny monologue for any age actor (child, tween, teen, or adult!).

Also, gotta give some props to the inspiration for this monologue. One of my followers on Facebook messaged me he got a “Top Fan Badge” for my page. I gave him some virtual props and said, “you win!” He wisely asked me what he won. And I said, “hmmm…you or your kids can give me a topic and I’ll see if I can write a little monologue about it.” He told me his daughter loves rainbow unicorns. Well. Here’s your monologue, Zoey! Hope you enjoy!

Enjoy a little excerpt (and silly floating animated unicorn head video, as well!)!

CLOUDLILY  

(to 4-year-old Zoey)

Zoey. I love the dandelions and clovers and…clumps of dirt you keep bringing me every day. They’re all really cool and special and I know it’s super fun watching my magical unicorn horn turn them into rainbow colors and make them dance and stuff like that. But I hear—CLICK HERE FOR MORE

My silly floating-head-unicorn amateur animation of “CloudLily The Unicorn & Zoey.”

Monologue from "When Marshmallows Burn" Published in The Best Men's Stage Monologues Anthology

I’m honored that my monologue from When Marshmallows Burn has been published in Smith & Kraus’s anthology, The Best Men’s Stage Monologues 2022, edited by Debbie Lamedman. Did you know Smith & Kraus has been publishing anthologies of the best men’s and women’s stage monologues for over 30 years? Very cool! In my dark comedy/drama:

Sammy and his mom are enjoying roasting marshmallows over the fire under the full moon when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love her wereson? Read the whole play here.

Missy Flower and Buchanan Highhouse in When Marshmallows Burn, directed by Nate Flower. Photography by @designbyraegan.

This is a play about a werewolf, yes. But moreover, it’s a play about a mom and her son. I recently read Celeste Ng’s new novel Our Missing Hearts and in it, a central mother character says, “But in the end every story I want to tell you is the same. Once upon a time, there was a boy. Once upon a time there was a mother. Once upon a time, there was a boy, and his mother loved him very much.”

This hits me hard.

And when I was telling my 2 sons basically the whole story of Our Missing Hearts, you can bet I was choking up relaying this part of the book (and then hugging them!).

When Marshmallows Burn is not only a dark comedy about a boy becoming a werewolf. It’s a story about familial acceptance and the love of a mom and a son, in the face of changing identity.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

Sammy’s monologue runs about 1 minute long and is great for any gender actor. It gives the performer a significant journey from being proud of something new and exciting to being deeply worried and terrified to lose what matters most. It also lets an actor showcase both dark comedy as well as dramatic skills.

Debbie Lamedman’s foreward

I was so lucky to have an outstanding team bring this play to life for the first time: Missy Flower as the mom, Buchanan Highhouse as the son, and Nate Flower as the director (produced by Free Space Theater, in collaboration with the Harrison Public Library). We performed the play around Halloween, at night in the great outdoors, and this was an absolute amazing backdrop for the play, which takes place at night, in the great outdoors…

Along with Sammy’s monologue, this anthology includes dozens of other wonderful monologues. As Ms. Lademan writes in her foreword, “These pieces present great acting challenges, and actors will have the pleasure of sinking their teeth into this sublime material while continuing to perfect their craft in their online or in-person workshops.”

Click here to get The Best Men’s Stage Monologues on amazon. You can also get Sammy’s monologue, What My Fangs are For, by itself here. Additionally, you can read an excerpt here of When Marshmallows Burn, or click below for the complete digital copy of that play:

1-Minute Monologues

One-minute monologues are an important way to make a quick impression to agents, casting directors, schools/colleges/universities. While longer monologues definitely have their place, sometimes actors are required to stick with showing their chops in less than 60 seconds. One-minute monologues also fairly easy to memorize because, well, obviously, they’re short, and they work well for younger actors who may not be ready for a 2-minute monologue or longer. One-minute monologues are also great to perform in festivals, competitions or classes, and an accessible way for actors to hone their craft privately or with a coach.

Having only 1 minute to showcase yourself as an actor can be a bit daunting though, so I’ve started a new page of my 1-minute monologues to make things a little bit easier for actors. These monologues have story and character arc, even if short, and they help actors showcase versatility and evoke emotion from their audience. There are dramatic 1-minute monologues, comedic 1-minute monologues, 1-minute monologues for women, men, any gender, teens and children. From candy-inspired monologues for kids to mean girl monologues for teens to hopeful love or scorned love—these 35 monologues allow actors to dig into complexities and give a memorable performance, in one minute.

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A Post-Christmas Tooth Fairy Monologue

My child recently endured a pretty long wait time (like, we’re talking dial-up modem long wait time!) for the Tooth Fairy to come and retrieve his tooth. It sat in a ziplock bag under his pillow for a night or two, then he moved it to the cat tree next to his bed, where it remained (our cat didn’t seem to mind) for the next…um… was it 4 weeks or so? During that time, he lost a second tooth (which he accidentally sent down the kitchen sink drain), and his first tooth oddly split in two while inside the baggie (I have never heard of that! Have you??). When the kids in my theater class were talking about losing a tooth one day, I commented on how the tooth fairy had still not come to retrieve my son’s tooth after several weeks.
(CLICK here for monologue. Click “read more” below for continued post)

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Summer Monologues

If you’re looking to beat (or lean into!) the heat of the season with a summer-themed monologue, check out this list of 17 monologues that go along nicely with Summertime. Whether it’s someone’s connection to growing veggies, a safari vacation that goes amiss (in all the coolest ways), seeing a lame mermaid at the beach, pushing someone in a mud puddle, spooky things that happen in the woods at night, or ice cream your dog can’t have—enjoy these 17 comedic, dramatic, thriller, teen and children’s monologues that are great for Summer!

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Monologue from When Marshmallows Burn to be published in Smith & Kraus's "The Best Men's Stage Monologues”

I’m honored that a monologue from my dark-comedy play, WHEN MARSHMALLOWS BURN, has been selected to be published by Smith & Kraus in the anthology, “The Best Men's Stage Monologues 2022” (editor Debbie Lamedman).

In the play, When Marshmallows Burn, Sammy and his mom are enjoying roasting marshmallows by the fire, under the full moon, when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love him? This is a dark comedy about a boy becoming a werewolf, but it’s also a story about acceptance and love, in the face of changing identities.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

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New Christmas One-Act Play for a Large Cast: Chaos in a Christmas Snow Globe

If you’re looking for a large cast Christmas play for young actors or young audiences, with lots of gender inclusive/neutral roles, check out Chaos in a Christmas Snow Globe. Yup, it takes place inside a Christmas Snow Globe, complete with Christmas Tree, train and ice skating pond. Designers can be as detailed or as representative as desired for this world which leaves lots of room for creativity.

The Christmas Gang loves their place of honor in 8-year-old Stella’s bedroom, come the Sunday after Thanksgiving when all the Christmas decorations are displayed, but they’re also getting a bit bored of the same routine. Luckily, they’re in a Snow Globe with Santa himself who has a pretty cool ability to evoke, oh, I don’t know…a little something called…

Christmas Magic!

Christmas Magic will bring some excitement to the snow globe, for sure! But what the friends don’t realize is that Christmas Magic has a mind of its own. And what it decides to bring is…um… well…

A Jack-o-Lantern (Whaaaa? Yes!) who has been pining away to join the Christmas Snow Globe for years! But can this Halloween decoration convince the Christmas Friends (especially the stickler Elf) that it truly belongs with them? Or will it be booted back to the dusty shelf? Enjoy this family-friendly one-act Christmas play about acceptance and appreciation.

This play runs approximately 20 minutes. The whole class, club, church or company can perform in this show! It has 11 speaking roles (9 gender inclusive/neutral roles, 1 female, 1 male), and an unlimited number of non-speaking reindeer. There’s some group singing (just “Jingle Bells” - don’t worry), opportunities for dancing, and fun scene setting. Check out the list of characters here.

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New Comedic 5-minute Christmas play for 1-3 actors: Why That Walking Snowman Didn't Like Me

Who doesn’t love some good ole fashioned Christmas magic in their theater and film, right? Check out what happens in my new 5-minute monologue for a female actor (with the option of adding 2 additional gender-inclusive silent roles), Why That Walking Snowman Didn’t Like Me.

When Madison goes for a walk with her dog on Christmas Eve, she could never have imagined a snowman she passes by would come to life in front of her very eyes! I mean, talk about Christmas Magic, right? This is super cool. Her IG fans are going to die when they see this… But… Why does it seem the snowman doesn’t want to pose with her? Coming to life is strange. Sure. But not wanting to hang out with Madison is even stranger. Find out how this IG model and her adorbs rescue, Bailey, make sense of all of this, in Why That Walking Snowman Didn’t Like Me.

This is a really fun piece to perform! Lots of humor and action; it’s light and funny but also can generate thoughtful conversation about social media. Why That Walking Snowman Didn’t Like Me is a comedic monologue for a female teen through young adult actor. So if you’re looking for a solo performance piece for this holiday season, this makes a great fit. It runs around 4-5 minutes (always depending on performance).

This short play stands alone as a monologue, but if you’re looking to cast more roles, it also easily affords the option of 1-2 additional roles:

Bailey: A non-speaking, but puppy murmuring, wise reindeer-sweater-wearing dog. Any gender/inclusive casting
Snowman: The chill, nonspeaking, disinterested-in-social-media snowman itself. Any gender/inclusive casting.

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Over 15 Great Plays for Outdoor Theater

Outdoor theater has always evoked a unique energy to its cast and audience, and throughout the covid-19 pandemic, more people have been taking advantage of staging and enjoying theater outside. The abundance of fresh air and space coupled with the natural environment can be appealing and invigorating. So if you’re looking to stage theater outside, consider these 10-minute and one-act comedies, dramas, and dark comedies for adults, teens and children. From a garden to a campfire, a beanstalk to a forest, a zoo to a parking lot, all of these plays are naturally set outdoors. You don’t need to force a kitchen sink into your local park. The world of these play is already outside. Enjoy!

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11 Short Plays About Love

As Valentine’s Day is rounding the corner, I’ve compiled a collection of eleven (11) short plays, all centering around the idea of love, from various angles. Whether marrying out of spite, longing for romance in another world, or sacrificing for your life partner, these plays showcase high stakes drama about love. The roles and worlds created in these plays are unique and memorable, making for fun theatrical challenges for actors, directors, designers and production teams. Enjoy!

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10-minute dramatic monologue play: Marsopa's Tale by Tara Meddaugh

Mermaids are the subject of many tales and legends around the world. In my 10-minute one-person play, Marsopa’s Tale, Marsopa, a mermaid herself, confronts the myths surrounding mermaids, as she makes a choice to be more than simply folklore.

Marsopa is the lone mermaid of her sea, but enjoys the company of her best friend and water-sister, a dolphin named Stone. But when Stone considers starting her own family, Marsopa faces the idea of being truly alone. That is - until she makes eyes with an intriguing fisherman... Now Marsopa must call into question the truth of mermaid and human legends, and decide what she is willing to risk for the possibility of creating her own fate.

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17 Suspenseful Monologues

Suspense is a powerful tool in theater. Who doesn’t want to keep the audience on the edge of their seat? Writers and directors can create entire plays or films that center on building suspense, ultimately paying off in the final scene. When you have only 1-2 minutes in a monologue to convey a scene or character, creating this world of suspense can be a challenge, but if you manage it, you’ll have your own payoff.

Here, I’ve compiled over 15 short monologues which cultivate a scenario of suspense, while conveying a memorable story and character. From murdered ferrets, floods and fangs, to guns, sirens and fires—these monologues are sure to keep your audience leaning in.

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New dark comedy/Dramatic monologue: "What My Fangs Are For" by Tara Meddaugh

My new monologue, What My Fangs Are For, is the story of a werewolf child telling his mom about his first squirrel kill; it’s darkly humorous, a bit creepy, a bit dramatic. But…it’s also the story of a boy discovering a new identity, trying to make his mother proud, then worrying, with horror, that his new identity may drive her to not love him anymore.

Maybe the whole “eating a raw squirrel” part is not so relatable, but Sammy is not the only child (or adult) to have to reveal a part of their identity which they worry a loved one may not accept.

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New 10-minute dark comedy, absurdist thriller (perfect for Halloween & outdoor theater): When Marshmallows Burn by Tara Meddaugh

If you are looking for some Halloween theater, perfectly designed for outdoor staging, check out my new play, When Marshmallows Burn:

When Marsmallows Burn.png

Sammy and his mom are enjoying roasting marshmallows by the fire when something very strange starts to happen. Sammy’s arms look a little bit different. His teeth look a little bit different. He has a sudden urge to kill squirrels. What else will he have an urge to kill? Is there anything his mother can do to stop him? And will his mother be able to accept his new identity?

This is a dark comedy, absurdist thriller for 2 actors (1 female, 1 male or 2 female - one role is gender neutral). It’s funny; how often does someone ask, “Can I eat that squirrel over there? You don’t have to cook it. I promise I’ll like it raw.” It’s dark; um...see squirrel line above! There is growing dread at the gravity of the situation, a full moon, suspense, blood. Yet ultimately, it is a story about discovering a new identity, and searching for, or giving, acceptance and love.

It’s an exciting piece to produce any time of year, but especially during this spooky, eerie, Halloween season—this play will fit right into a creepy lineup of shows. What’s also really cool is that this play takes place outside. Around a campfire. So if you’re looking for a socially distanced, outdoor theater experience, this is about as perfectly set up as they come! If you’re interested in performing, make sure to fill out the royalty request form and send it to me.

CLICK for a free excerpt for When Marshmallows Burn by Tara Meddaugh.
CLICK BELOW for the complete digital download to the dark comedy, When Marshmallows Burn.

"The Thing About Mermaids" by Tara Meddaugh: New children's comedic 1-minute monologue

Okay, so if you had to choose one mystical creature to be real, which would you choose? In my new monologue, The Thing About Mermaids, Riley encounters a real live mermaid…but is Riley excited by this discovery or does Riley think it’s a waste of a mystical creature?

Enjoy this free 45 second - 1 minute long comedic monologue for children, gender neutral casting. (For a dramatic 10-minute monologue play about mermaids, click here for Marsopa’s Tale).

Special thanks to Julian (and his mom), for inspiring this monologue!

Check out the excerpt below from, THE THING ABOUT MERMAIDS:

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Fourteen (14) Romantic Monologues About Hopeful Love

Love is complex, and the beginning phases, when there is doubt mixed with infatuation, it’s that hope of a romance that keeps you going. Check out these 8 romantic monologues where characters experience their own ranges of that spectrum. Whether the character is after brand new love or reconciling a love that has withered, join them on their quest for romance!
(Click the title for excerpts and the complete monologue)

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