Halloween Thriller Dramatic Monologue: Her Mouth is Moving

If you’re looking for a creepy thriller monologue about guilt, regret, murder and going a little out of one’s mind, check out HER MOUTH IS MOVING. In the monologue, Meghan has murdered a "frenemie" out of rage and now is face to face with the dead corpse. At least, she is pretty sure the victim is dead… except that it seems her mouth is still moving and this is really freaking Meghan out. Meghan is filled with horror and guilt at her own actions, and can barely understand what she has done, but she is starting to grasp the realty and the terrible consequences that she will now face.

HER MOUTH IS MOVING runs around 1 -2 minutes, for a female actor (or any gender if it resonates with you), and is suitable for late teens through mature adult. This monologue gives the actor the opportunity to show a breakdown as Meghan spins out in horror and guilt, due to her impulsive murder.

Right now, HER MOUTH IS MOVING is only available on PerformerStuff. You can read an excerpt and get the full monologue there.

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Monologue from "When Marshmallows Burn" Published in The Best Men's Stage Monologues Anthology

I’m honored that my monologue from When Marshmallows Burn has been published in Smith & Kraus’s anthology, The Best Men’s Stage Monologues 2022, edited by Debbie Lamedman. Did you know Smith & Kraus has been publishing anthologies of the best men’s and women’s stage monologues for over 30 years? Very cool! In my dark comedy/drama:

Sammy and his mom are enjoying roasting marshmallows over the fire under the full moon when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love her wereson? Read the whole play here.

Missy Flower and Buchanan Highhouse in When Marshmallows Burn, directed by Nate Flower. Photography by @designbyraegan.

This is a play about a werewolf, yes. But moreover, it’s a play about a mom and her son. I recently read Celeste Ng’s new novel Our Missing Hearts and in it, a central mother character says, “But in the end every story I want to tell you is the same. Once upon a time, there was a boy. Once upon a time there was a mother. Once upon a time, there was a boy, and his mother loved him very much.”

This hits me hard.

And when I was telling my 2 sons basically the whole story of Our Missing Hearts, you can bet I was choking up relaying this part of the book (and then hugging them!).

When Marshmallows Burn is not only a dark comedy about a boy becoming a werewolf. It’s a story about familial acceptance and the love of a mom and a son, in the face of changing identity.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

Sammy’s monologue runs about 1 minute long and is great for any gender actor. It gives the performer a significant journey from being proud of something new and exciting to being deeply worried and terrified to lose what matters most. It also lets an actor showcase both dark comedy as well as dramatic skills.

Debbie Lamedman’s foreward

I was so lucky to have an outstanding team bring this play to life for the first time: Missy Flower as the mom, Buchanan Highhouse as the son, and Nate Flower as the director (produced by Free Space Theater, in collaboration with the Harrison Public Library). We performed the play around Halloween, at night in the great outdoors, and this was an absolute amazing backdrop for the play, which takes place at night, in the great outdoors…

Along with Sammy’s monologue, this anthology includes dozens of other wonderful monologues. As Ms. Lademan writes in her foreword, “These pieces present great acting challenges, and actors will have the pleasure of sinking their teeth into this sublime material while continuing to perfect their craft in their online or in-person workshops.”

Click here to get The Best Men’s Stage Monologues on amazon. You can also get Sammy’s monologue, What My Fangs are For, by itself here. Additionally, you can read an excerpt here of When Marshmallows Burn, or click below for the complete digital copy of that play:

Summer Monologues

If you’re looking to beat (or lean into!) the heat of the season with a summer-themed monologue, check out this list of 17 monologues that go along nicely with Summertime. Whether it’s someone’s connection to growing veggies, a safari vacation that goes amiss (in all the coolest ways), seeing a lame mermaid at the beach, pushing someone in a mud puddle, spooky things that happen in the woods at night, or ice cream your dog can’t have—enjoy these 17 comedic, dramatic, thriller, teen and children’s monologues that are great for Summer!

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Monologue from When Marshmallows Burn to be published in Smith & Kraus's "The Best Men's Stage Monologues”

I’m honored that a monologue from my dark-comedy play, WHEN MARSHMALLOWS BURN, has been selected to be published by Smith & Kraus in the anthology, “The Best Men's Stage Monologues 2022” (editor Debbie Lamedman).

In the play, When Marshmallows Burn, Sammy and his mom are enjoying roasting marshmallows by the fire, under the full moon, when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love him? This is a dark comedy about a boy becoming a werewolf, but it’s also a story about acceptance and love, in the face of changing identities.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

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Don't Close The Doors: New 10-minute thriller/dramatic monologue

If you’re looking for a solo thriller performance piece, consider my new 10-minute monologue play, Don’t Close the Doors. There’s no gore, no blood, yet the ominous atmosphere is consuming. This is a perfect choice for spooky Halloween theater, but is also powerful as a dramatic tragedy any time of year.

We’re familiar with the creepiness a bedroom closet can evoke: What’s inside those closed doors when we’re sleeping in our bed, when we’re practicing the violin, talking to a friend…? Does closing those doors keep out whatever it is that might be lurking from within? But what if that presence in the closet doesn’t want to be there any more than we want it there? What if that presence in the closet is the one being tortured, not us? In Don’t Close the Doors:

Abigail, a ghost in Stephanie’s closet, is sorry she must use her powers to freeze Stephanie in place, but what she must share with Stephanie is so dire that sometimes these things must be done. At first, it appears Abigail’s ominous presence is a threat to Stephanie. However, as Abigail relays the tragedies which have left her paralyzed in Stephanie’s closet, we realize it is Abigail who desperately needs Stephanie’s help to end her heartbreaking torture.

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New Thriller Monologue: Where's Your Hand, Chloe?

Let’s be honest - the woods at night can be creepy for even the bravest of us. It’s not quite so bad though if we have someone by our side. But what if that someone suddenly…disappears? And leaves us alone, calling their name, only to find…someone else appear instead?

That is the premise behind my new thriller/dramatic/horror monologue, Where’s Your Hand, Chloe? Addison’s friend, Chloe, disappears on their walk home in the woods (NEVER TAKE THE SHORTCUT THROUGH THE WOODS!). At first, Addison is relieved when she thinks the person in the distance is her friend. But she soon discovers the bloodied soul that is getting closer and closer to Addison is not at all Chloe. Addison’s panic increases as she sees the grotesque Being holds Chloe’s braid wrapped around its shoulder.

As we round the corner toward Halloween and all things spooky, check out my new suspenseful 2-3 minute monologue, Where’s Your Hand, Chloe? This is a great monologue for actors who really want to tap into their horror/frightened/panicking-but-trying-to-stay-calm side. The monologue arrives to you just in time for those awesome Halloween Monologue Slams! Enjoy an excerpt below and check out other suspenseful monologues here or creepy monologues here.

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Over 15 Great Plays for Outdoor Theater

Outdoor theater has always evoked a unique energy to its cast and audience, and throughout the covid-19 pandemic, more people have been taking advantage of staging and enjoying theater outside. The abundance of fresh air and space coupled with the natural environment can be appealing and invigorating. So if you’re looking to stage theater outside, consider these 10-minute and one-act comedies, dramas, and dark comedies for adults, teens and children. From a garden to a campfire, a beanstalk to a forest, a zoo to a parking lot, all of these plays are naturally set outdoors. You don’t need to force a kitchen sink into your local park. The world of these play is already outside. Enjoy!

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Celebrate National Frog month with some Frog Theater!

Did you know April is National Frog Month in the US? World Frog Day is March 20, but if you missed applauding our amphibian friends that day, rest assured you still have this month to celebrate this awesome creature! Frogs play a vital part in our ecosystem, not to mention they’ve been instrumental in scientific advancements in many fields. They make up about 90% of all amphibians (there are over 6000 species of frogs!), they have adapted to do some really neat things (like survive basically frozen for months in the Arctic or carry around tadpoles in their vocal sacs!), and they are super cute and unique!

So what better way of paying tribute to our beloved frogs than by exploring some frog theater? (Okay, there are lots of other ways to pay tribute to these important cuties. Sadly, “at least 2,000 species [are] estimated to be in danger of extinction," so let’s be kind to them and their environment too. Here are ways to make your yard more habitable for frogs and additional things you can do for frogs.)

Yes, I can happily say I have a whopping (should I say “hopping?” harhar) three (3) theatrical pieces about frogs! A 10-minute dark comedy, a 5-minute children’s play, and a quirky dark comedy/dramatic monologue.

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Frog Band-Aid: New dark comedy monologue

What do you do when you’re confronted with a jealous force in your life who demands that you abandon your new and precious human connection? And what do you do when this jealous force happens to be…um…a bingo chip?

Yeeeess…

This is part of the story of my full-length dark comedy/absurdist thriller, Free Space. Amelia views hosting her own Bingo Night as a way to escape her lonely life. Not only does she have the excitement of planning this magical night, but planning this night has led to a growing bond between her and Ricky, a kind-hearted boy who works at the local cannery. But as Amelia starts to envision a brighter future, a talking Bingo Chip begins calling the shots. Amelia is losing control of her own Game—and relationship with Ricky.

Frog Band-Aid is a monologue from Free Space. Ricky has just given Amelia a private tour of the cannery he works at. During the tour, the two joyfully plan the event, and discuss visiting a pet store together. After Amelia leaves the cannery, she walks home, speaking to the mysterious Bingo Chip in her pocket which has become increasingly demanding.

This dark comedy/dramatic monologue runs around 3 minutes and is appropriate for an older teen through adult actor. Enjoy the excerpt below and check out Free Space to learn more about Amelia and her story.

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11 Short Plays About Love

As Valentine’s Day is rounding the corner, I’ve compiled a collection of eleven (11) short plays, all centering around the idea of love, from various angles. Whether marrying out of spite, longing for romance in another world, or sacrificing for your life partner, these plays showcase high stakes drama about love. The roles and worlds created in these plays are unique and memorable, making for fun theatrical challenges for actors, directors, designers and production teams. Enjoy!

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"Cutting Down the Tree" by Tara Meddaugh: A dark comedy monologue

If you’re looking for a humorous monologue with a dark undertone, check out my new monologue, Cutting Down the Maple Tree. Kari is pushed too far by her (presumably cheating) husband and lashes out in vengeance, cutting down a taunting tree and trapping his drunken legs under it. Now, at least, the tree will no longer have hold over her and she looks forward to a “fresh start” with her husband.

This dark comedy/thriller/dramatic monologue is approximately 2 1/2 minutes long, and is appropriate for adults, 20s to 60s. It is a fun and challenging role for an actor, as Kari’s intentions, emotions and state of mind are complex and varied. Enjoy an except below:

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Clippers by Tara Meddaugh: A dramatic monologue from the one-act play, Seventeen Stitches

If you’re looking for a 2-minute dramatic monologue from a play, check out my newly released monologue, Clippers, from my one-act play, Seventeen Stitches. Clippers is appropriate for tweens, teens and young adults; it is suitable for actors of any gender. In this monologue, Peter struggles to make sense of his father’s actions and intentions. When Peter was attacked by a bully who wanted his bike, Peter’s father rescues his son, but lets the bully take the precious bike. Peter doesn’t understand why his loving father would not punish the bully, and from that moment on, feels abandoned by his father.

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17 Suspenseful Monologues

Suspense is a powerful tool in theater. Who doesn’t want to keep the audience on the edge of their seat? Writers and directors can create entire plays or films that center on building suspense, ultimately paying off in the final scene. When you have only 1-2 minutes in a monologue to convey a scene or character, creating this world of suspense can be a challenge, but if you manage it, you’ll have your own payoff.

Here, I’ve compiled over 15 short monologues which cultivate a scenario of suspense, while conveying a memorable story and character. From murdered ferrets, floods and fangs, to guns, sirens and fires—these monologues are sure to keep your audience leaning in.

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New dark comedy/Dramatic monologue: "What My Fangs Are For" by Tara Meddaugh

My new monologue, What My Fangs Are For, is the story of a werewolf child telling his mom about his first squirrel kill; it’s darkly humorous, a bit creepy, a bit dramatic. But…it’s also the story of a boy discovering a new identity, trying to make his mother proud, then worrying, with horror, that his new identity may drive her to not love him anymore.

Maybe the whole “eating a raw squirrel” part is not so relatable, but Sammy is not the only child (or adult) to have to reveal a part of their identity which they worry a loved one may not accept.

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New 10-minute dark comedy, absurdist thriller (perfect for Halloween & outdoor theater): When Marshmallows Burn by Tara Meddaugh

If you are looking for some Halloween theater, perfectly designed for outdoor staging, check out my new play, When Marshmallows Burn:

When Marsmallows Burn.png

Sammy and his mom are enjoying roasting marshmallows by the fire when something very strange starts to happen. Sammy’s arms look a little bit different. His teeth look a little bit different. He has a sudden urge to kill squirrels. What else will he have an urge to kill? Is there anything his mother can do to stop him? And will his mother be able to accept his new identity?

This is a dark comedy, absurdist thriller for 2 actors (1 female, 1 male or 2 female - one role is gender neutral). It’s funny; how often does someone ask, “Can I eat that squirrel over there? You don’t have to cook it. I promise I’ll like it raw.” It’s dark; um...see squirrel line above! There is growing dread at the gravity of the situation, a full moon, suspense, blood. Yet ultimately, it is a story about discovering a new identity, and searching for, or giving, acceptance and love.

It’s an exciting piece to produce any time of year, but especially during this spooky, eerie, Halloween season—this play will fit right into a creepy lineup of shows. What’s also really cool is that this play takes place outside. Around a campfire. So if you’re looking for a socially distanced, outdoor theater experience, this is about as perfectly set up as they come! If you’re interested in performing, make sure to fill out the royalty request form and send it to me.

CLICK for a free excerpt for When Marshmallows Burn by Tara Meddaugh.
CLICK BELOW for the complete digital download to the dark comedy, When Marshmallows Burn.

Spooky Play for Halloween: Free Space, a dark comedy/absurdist thriller by Tara Meddaugh

Even during a pandemic, Summer flies by. And in New York State, something seems to have happened in the last week as temperatures left the high 80s, brown leaves are on the ground, homegrown apples are everywhere, and there is more talk about…Halloween. And that means theater for Halloween. Which means, you can pull out those dark comedies, thrillers, weird, spooky, creepy pieces that might be engaging any time of year, but hold a special kind of place as we gear up toward October 31.

I have several spooky plays and monologues that fit this bill, but a great full-length play for this darker time of year is my absurdist thriller, Free Space. This is a play where a mother pretends she’s her daughter for a terrifying reason. A young woman tries to escape her trapped existence where loneliness and aspirations ache in her bones. It’s a story of a dominating bingo chip (yes, I said “bingo chip”) who becomes increasingly demanding—and jealous. It’s always cold, usually tense, oftentimes eerie. Desperation and stakes are high. Cruelty abounds. And yet—

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30 Unique Monologues About Love...

With Valentine’s Day a couple weeks away, enjoy this collection of unique monologues all about love…Some characters are hopeful, wistful, romantic; some characters are jealous, scorned, lonely; and…one thinks he’s a klingon. So… Wherever you are at in the love-spectrum, I hope the season brings you joy, hope, theatrical creativity—and you can kick it all off with these memorable monologues!…

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Poorly Wrapped, a One-Act Play for 2 actors about Desire, Obsession, Power

We’re less than a month away from Valentine’s Day, so check out the one-act play, Poorly Wrapped, on the topic of Love…or at least, lust, obsession, greed, power, and desire! It has 2 great roles for 1 male and 1 female actor and runs around 25 minutes long. It’s a dark comedy/drama, a bit eerie, a bit funny, some elements of the absurd mixed in with some potential creepiness…

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