New Award-Winning Full-Length Children's Comedy for a Large Cast: The Underground Adventures of a Carrot and Potato

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Super excited to share my new play, a full-length children’s comedy for a large cast, THE UNDERGROUND ADVENTURES OF A CARROT AND POTATO.

The whimsical play follows an unlikely friendship between a dancing carrot and a groove-loving potato, whose underground world is turned upside down when they challenge the rigid expectations of their soil-bound society. [Get the play here!]

I was so honored and thrilled that THE UNDERGROUND ADVENTURES OF A CARROT AND POTATO won East Valley Children’s Theatre’s (EVCT) 2024 annual playwriting competition; in fact, their contest announcement inspired me to write the play! They were looking for a play 60-90 minutes in length with a cast of at least 18, and while I had written children’s plays before (check out some children’s plays here!), I had never written one of that length with that size cast! I loved the challenge though and had a blast making each character have its own unique voice and moments to shine. The roles are for any gender (they’re mostly vegetable characters!), and range in size, giving opportunities for older experienced actors, as well as actors starting out, and lots in between. [Complete list of characters here]

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Monologues about Love for Men and Women - Updated Compilations

As we enter the Valentine Theater Season (that’s a “thing” right?), I’ve made some additions to two “monologues about love” compliations. So if you’re looking for a “love monologue,” check out my compilations of 17 Monologues about Love for Women and 14 Monologues about Love for Men. In the compilations and lists, there are all sorts of monologues, from a zoom blind date, a 1700s bride who hates her fiance and a scorned wife trying to control her rage, to a raccoon missing the love of his life, a criminal asking for a second chance, and a teen seeing the class president in a new light - there are monologues for all sorts of emotions, intentions, situations and drive.

Check out the list of the 17 Monologues about Love for Women here and 14 Monologues about Love for Men here. Or you can get the complete packets containing the compilation of monologues below.

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Holiday Monologues for Women

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From a woman with a crush on Santa to an overstressed Hallmark romcom watcher to an influencer rejected by a snowman, check out these fun, unique and memorable holiday and Christmas monologues for women!

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30 Monologues About Love for Men and Women: New Monologue Compilation Packet

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Check out my new digital download compilation of 30 MEMORABLE MONOLOGUES ABOUT LOVE!

There’s a reason so many plays center around the main character chasing love. Besides the fact that we all need and want some form of love in our lives, pursuing love is dramatic. Characters put a lot on the line hoping for love, so stakes are high! Intense emotions make their way to the surface—extreme jealousy, divine passion, pitiful desperation, euphoric hope. So if you’re looking to make an impact performing a short piece of drama (while showcasing some memorable acting or directing chops), using a monologue about love can be a great option.

In this compilation for digital download, I’ve chosen 30 unique monologues of characters who really dig into the idea of love from one angle or another. The love in these monologues is not clean or perfect; these experiences with love are complicated, layered, sometimes funny, sometimes dark. There is betrayal, longing, hope, hurt, empowerment. But these are just additional reasons they make for interesting and challenging drama. From a jealous cat on a blind zoom date to a drugstore clerk smitten with a customer, from a heart made out of fingernails to a raccoon grieving the love of his life, enjoy these unique and memorable monologues about love! Check out descriptions of each monologue here.

These comedic and dramatic monologues about love range from 1 minute to 5+ minutes. There are 16 monologues for women and 14 monologues for men. While roles are written for gender-specific characters, actors of any gender may feel free to play any role they connect with; actors have the playwright’s permission to change the character pronouns, if desired.

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New Comedic Teen Monologue for Male Actors: Those 10th Grade Reps

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If you’re a teen boy looking for a short, 1-minute monologue, check out my new comedic monologue, THOSE 10th GRADE REPS. In it, Hudson sees Audrey in a new light when she deftly handles those trouble-making 10th grade reps at the Student Government meeting! Audrey is the president this year, and watching her in action throws Hudson’s heart all a’flutter! He speaks to Audrey after the meeting while they’re waiting for the late bus to take them home after the meeting. He gets to steal her away for a moment in private and this nervous, but brave teen, strikes up an honest conversation. Would you say it’s cringe or sweet? Maybe a bit of both? In any case, it’s fun for an actor to play this smitten boy who has suddenly found his commanding classmate strikingly attractive!

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New Dramatic Monologue for Women: A Vacation in The Shower

A VACATION IN THE SHOWER is a dramatic monologue about the nonstop busyness of new motherhood and those glorious few minutes of solitude and peace alone in the shower—and then feeling guilty for enjoying that time alone. The monologue runs about 2-3 minutes and right now, you can find it only on Performer Stuff. In the monologue, Donna speaks to her longtime friend, Isabelle and you can read an excerpt here.

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Christmas Theater (Plays and Monologues) Great for Middle Schoolers

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Check out this list of Christmas-themed theater great for middle-school performers. These plays and monologues are funny, endearing, engaging, while being challenging but manageable for this age group. Whether you’re looking for a Christmas play with a large cast, or a short holiday play for 1-3 actors, these festive pieces of theater are family-friendly, age-appropriate and fun to perform!

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New 1-Minute Monologue: Much Less Room

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If you’re looking for a short dramatic monologue, running about 30 seconds to 1 minute, check out MUCH LESS ROOM. This monologue is from my dark comedy/dramatic play about grief, THE VISITOR IN THE DOORWAY. In the play, Clare has experienced more deep loss than anyone should have to go through, and she knows Grief all too well. After an unimaginable death in her family, Clare runs off to her family cabin in the woods, isolating herself from everyone who might reach out to her. The only visitor she has is the lingering, hovering, persistent, annoying Being outside her cabin who just. won’t. leave: Grief himself, personified. Clare allows him one foot in her doorway, and he works hard to convince her to let him all the way in. The play is a dark comedy, as Grief struggles to do his job; and it’s a drama, as Clare begins to process her pain and loss. The humor and gravity are a necessary team—to relieve and relax us, and then to hit us with the poignancy of tragic reality, as well. For the complete play, THE VISITOR IN THE DOORWAY, click here.

To set the scene for the monologue, MUCH LESS ROOM. Personified Grief has been allowed one foot in Clare’s family cabin doorway, but she is not happy he’s there. After Grief and Clare confront each about other the recent loss, Grief lays out the hard truths that Clare needs to start eating and accepting help and letting people (and him) into her life again or she will die also. Clare retorts, “So?”, and shaken by this, Grief, implores Clare not to die. Feeling great empathy for her, in this monologue, Grief tries to give Clare a bit of Hope that the intensity he brings will not last forever, that Hope will come again, and that he will eventually, take up much less space in her life.

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New Dramatic Monologue about Grieving: Those Black Streaks

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If you’re looking for a reflective monologue about grief and its effects, check out my dramatic monologue, THOSE BLACK STREAKS (or These Black Streaks). In the monologue, Veronica speaks to her friend about her mother’s recent passing. Her mother didn’t give her much advice, even when she probably needed it. But she did always instruct Veronica to not leave the house before putting “her face on.” Veronica waxes to her friend about the irony that the makeup which would typically cover imperfections on her face, now betrays her emotions, mixing with tears to form black streaks on her face, exposing her to the world.

THOSE BLACK STREAKS runs around 1-2 minutes, and is good for a woman looking for a sad monologue, exploring grief, perception, mother-daughter relationships, and how one makes sense of the past in the context of the present.

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New Monologue About Bullying for Adult Actor: The 119th Element

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While many monologues about bullying are for teens or children, THE 119th ELEMENT is for a young to mature male adult actor (20s-80s). Paul is an embittered and awkward scientist, having been bullied all his life by boys, girls, and even his parents. In the monologue, Paul is more than pleased to accept an honor in recognition of his discovering the 119th element (which he has named after himself). He insists this discovery and award prove that despite all the bullying he has experienced, all the doubts and obstacles he’s faced, his most basic theory holds true: He is always right. But…

Did he really make this scientific discovery? And is he really accepting an award at all?

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"Mean-Man Monologues" or Monologues for Actors Who Want to Play Jerks

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Tired of playing the nice guy? Wanna play a jerk? You don’t need to feel left out of the “mean-girl monologue” vibe! If you’re a male actor looking for a monologue where you can let yourself dig into your meaner side, check out this list below. Here are eight (8) “Mean-Man Monologues,” where the main character has either done something stupid (like, um, stealing from his girlfriend’s family or breaking a restraining order to deliver a Christmas tree his ex doesn’t want) or is just acting like a self-centered fill-in-the-blank. Of course, while these are certainly not “Mr. Nice Guy” characters, they still leave lots of room for complex characters, sincere motivations and good arcs. Enjoy finding those moments to make them enthralling and compelling, maybe a little endearing, or at least a character you love to hate!

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"There Once Were Two Clouds in the Sky" to be Published in Smith & Kraus Anthology

Thrilled to share that my 10-minute play, THERE ONCE WERE TWO CLOUDS IN THE SKY, will be published in an upcoming Smith & Kraus anthology, THE BEST TEN-MINUTE PLAYS 2024, edited by Debbie Lamedman. The anthology will be out at the end of the year, showcasing a great variety of awesome short plays, but you can also get a digital version of my play now here.

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Halloween Thriller Dramatic Monologue: Her Mouth is Moving

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If you’re looking for a creepy thriller monologue about guilt, regret, murder and going a little out of one’s mind, check out HER MOUTH IS MOVING. In the monologue, Meghan has murdered a "frenemie" out of rage and now is face to face with the dead corpse. At least, she is pretty sure the victim is dead… except that it seems her mouth is still moving and this is really freaking Meghan out. Meghan is filled with horror and guilt at her own actions, and can barely understand what she has done, but she is starting to grasp the realty and the terrible consequences that she will now face.

HER MOUTH IS MOVING runs around 1 -2 minutes, for a female actor (or any gender if it resonates with you), and is suitable for late teens through mature adult. This monologue gives the actor the opportunity to show a breakdown as Meghan spins out in horror and guilt, due to her impulsive murder.

Right now, HER MOUTH IS MOVING is only available on PerformerStuff. You can read an excerpt and get the full monologue there.

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Dramatic Monologue about Grief and Loss: Strawberry Yogurt Cups Going Bad in the Fridge

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When you experience a deep loss, Grief can haunt you, follow you everywhere or appear suddenly prompted by a sight or smell. Even in joyful moments, Grief knows how to sneak in. In my new monologue, STRAWBERRY YOGURT CUPS GOING BAD IN THE FRIDGE, from the play THE VISITOR IN THE DOORWAY, Grief, as a personified character, speaks to his latest charge, Clare. She has experienced a devastating loss on the heals of another terrible loss, and she begs him to leave her alone for a long time. She feels broken, lost, sad beyond belief, and she’s exhausted by Grief’s continual reappearance in her life. Grief knows that he is often an unwelcome guest and he hates that about himself. He has no control over death, yet he follows Death and has the difficult task of being the physical representation of love and loss.

In STRAWBERRY YOGURT CUPS GOING BAD IN THE FRIDGE, Grief answers Clare’s plea to leave her alone. And unfortunately, he has to give her the hard truth—he just can’t do that. Her love for the one she lost is so deep that he has to stay with her for a long time, and truthfully, he’s never going to leave her entirely.

This dramatic monologue runs around 30 seconds to 1 minute. It’s a short monologue but it has a good arc for Grief, as he showcases Clare’s love, the reminders of her loved-one, and how that deep love is what forces him to stay around her. STRAWBERRY YOGURT CUPS GOING BAD IN THE FRIDGE, is suitable for any gender actor, and any age from teen through mature adult. It’s Grief, after all, a timeless character.

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New Children's Comedic Monologue for Halloween: Annoying Alien

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Check out my new children’s comedic monologue in time for Halloween fun! ANNOYING ALIEN is about, well, just that! Maleeha is one lucky kid that an alien spaceship lands in her backyard, right? Well… Maybe… But once the alien follows her inside of her bedroom, she realizes that having an alien is not quite as cool as she imagined it would be... In fact, this nosy, noisy, hyperactive, slime-dripping alien is kind of annoying.

ANNOYING ALIEN is about 1 minute to 1.5 minutes long, depending on performance, and it gives your child, tween or teen a fun moment to showcase their humorous acting skills, with a nice little arc to this bite-sized story. The monologue is family-friendly, age-appropriate, but fun for a wide age-range and while written for a female character, it is suitable for any gender actor.

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Find Me: A New 5-10 Minute Thriller Monologue

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If you’re looking for a dramatic one-woman show this Halloween, check out my new thriller monologue, FIND ME. It runs 5-10 minutes, depending on performance and staging, and is great for a female actor in her late teens, 20s, 30s.

FIND ME takes place in 1851, at the private burial site of a family estate. A young woman, Elizabeth, is found outside, in the graveyard, shovel in hand, in the dead of night. The setting alone is enough to start amping up those creepy vibes! She is heart-broken, grieving, and now embarking on a chilling quest to bring her deceased husband closer to her… The monologue is spooky and will fit your horror-theater needs, but ultimately, it’s a piece about love, loss, longing and what you might do to have even a chance to be with your true love in any form.

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30 Funny Monologues for Kids

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Check out over 30 Funny Monologues for Kids!

From a child bored with her bedroom ghost to a wanna-be-grinch, from a kid taking extreme measures to get their ipad back to a child chastising their dad for eating jelly beans the wrong way, enjoy this collection of over 30 comedic and age-appropriate monologues for children performers! These unique, funny, family-friendly, “clean,” but clever monologues range from 30 seconds to 2.5 minutes (depending on performance). The characters and arcs in each monologue are fun to play and give child actors (or adults in children’s theater or TYA) a great way to stand out!

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New Dramatic Monologue for Women: Holding On Tightly

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In this new dramatic monologue, HOLDING ON TIGHTLY, from the play THE VISITOR IN THE DOORWAY, Clare speaks to personified Grief himself, who has come to her cabin in the woods and keeps hounding her to let him inside after a recent tragedy. Clare is fed up with who Grief keeps haunting her with multiple deep losses in her life. In the monologue, HOLDING ON TIGHTLY, Clare begins to allow for Grief coming in, as she confesses how the most recent devastating loss has broken her. She asks Grief if the more losses she experiences, the easier it is for more losses to follow.

While the monologue is written for a woman in the play, HOLDING ON TIGHTLY, could be played by any gender with whom it resonates. It runs around 1.5-2 minutes or so, depending on performance. This is a powerful dramatic monologue for an actor really looking to sink into the after-effects of loss. Clare is angry, exhausted, filled with regret and guilt, irritated with Grief, and holds extreme intense sadness. It’s a beautiful and touching monologue as Clare starts to confront what has happened to her, through the support of Grief, standing by and listening. For more context, check out the play from which this comes, THE VISITOR IN THE DOORWAY, as you’ll get a complete feeling for both Clare and Grief.

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New Free Monologue of Grief from The Visitor in the Doorway: Giving You Space

In this new free 30-60 second monologue, GIVING YOU SPACE, Grief is a personified Being who has come to hang around Clare’s cabin door, waiting for her to let him in after a recent devastating tragedy. She has run away from everyone and every thing in her life, isolating herself, not eating or having contact with anyone. In this monologue, Grief lays out some hard truths: she needs to start eating again, accepting help, letting people (and him) into her life again—or she will die also.

This short dramatic monologue, GIVING YOU SPACE, is great for any age—teen, young adult through mature or senior adult actor. While Grief is personified with male pronouns, his role and this monologue are suitable for any gender. It can be a challenge to find a powerful monologue in only 30-60 seconds, but this monologue gives an actor a bite-sized platform to perform something dramatic, empathic, and passionate. It has elements of “tough love” and also sincere empathy and concern. Grief is a somewhat self-deprecating but affable character who knows his task is a hard one, his presence is often unwelcome, yet he has an important and meaningful role to play in the lives of those he visits. You can read more about his character and origin of the play, THE VISITOR IN THE DOORWAY here.

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