New 1-Minute Monologue: Much Less Room

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If you’re looking for a short dramatic monologue, running about 30 seconds to 1 minute, check out MUCH LESS ROOM. This monologue is from my dark comedy/dramatic play about grief, THE VISITOR IN THE DOORWAY. In the play, Clare has experienced more deep loss than anyone should have to go through, and she knows Grief all too well. After an unimaginable death in her family, Clare runs off to her family cabin in the woods, isolating herself from everyone who might reach out to her. The only visitor she has is the lingering, hovering, persistent, annoying Being outside her cabin who just. won’t. leave: Grief himself, personified. Clare allows him one foot in her doorway, and he works hard to convince her to let him all the way in. The play is a dark comedy, as Grief struggles to do his job; and it’s a drama, as Clare begins to process her pain and loss. The humor and gravity are a necessary team—to relieve and relax us, and then to hit us with the poignancy of tragic reality, as well. For the complete play, THE VISITOR IN THE DOORWAY, click here.

To set the scene for the monologue, MUCH LESS ROOM. Personified Grief has been allowed one foot in Clare’s family cabin doorway, but she is not happy he’s there. After Grief and Clare confront each about other the recent loss, Grief lays out the hard truths that Clare needs to start eating and accepting help and letting people (and him) into her life again or she will die also. Clare retorts, “So?”, and shaken by this, Grief, implores Clare not to die. Feeling great empathy for her, in this monologue, Grief tries to give Clare a bit of Hope that the intensity he brings will not last forever, that Hope will come again, and that he will eventually, take up much less space in her life.

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New Monologue About Bullying for Adult Actor: The 119th Element

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While many monologues about bullying are for teens or children, THE 119th ELEMENT is for a young to mature male adult actor (20s-80s). Paul is an embittered and awkward scientist, having been bullied all his life by boys, girls, and even his parents. In the monologue, Paul is more than pleased to accept an honor in recognition of his discovering the 119th element (which he has named after himself). He insists this discovery and award prove that despite all the bullying he has experienced, all the doubts and obstacles he’s faced, his most basic theory holds true: He is always right. But…

Did he really make this scientific discovery? And is he really accepting an award at all?

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Dramatic Monologue about Grief and Loss: Strawberry Yogurt Cups Going Bad in the Fridge

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When you experience a deep loss, Grief can haunt you, follow you everywhere or appear suddenly prompted by a sight or smell. Even in joyful moments, Grief knows how to sneak in. In my new monologue, STRAWBERRY YOGURT CUPS GOING BAD IN THE FRIDGE, from the play THE VISITOR IN THE DOORWAY, Grief, as a personified character, speaks to his latest charge, Clare. She has experienced a devastating loss on the heals of another terrible loss, and she begs him to leave her alone for a long time. She feels broken, lost, sad beyond belief, and she’s exhausted by Grief’s continual reappearance in her life. Grief knows that he is often an unwelcome guest and he hates that about himself. He has no control over death, yet he follows Death and has the difficult task of being the physical representation of love and loss.

In STRAWBERRY YOGURT CUPS GOING BAD IN THE FRIDGE, Grief answers Clare’s plea to leave her alone. And unfortunately, he has to give her the hard truth—he just can’t do that. Her love for the one she lost is so deep that he has to stay with her for a long time, and truthfully, he’s never going to leave her entirely.

This dramatic monologue runs around 30 seconds to 1 minute. It’s a short monologue but it has a good arc for Grief, as he showcases Clare’s love, the reminders of her loved-one, and how that deep love is what forces him to stay around her. STRAWBERRY YOGURT CUPS GOING BAD IN THE FRIDGE, is suitable for any gender actor, and any age from teen through mature adult. It’s Grief, after all, a timeless character.

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